《海上鋼琴師》是亞歷山卓·巴利科的劇場(chǎng)文本《1900：獨(dú)白》所改編由意大利著名導(dǎo)演朱塞佩·托納托雷的“三部曲”之一。講述了一個(gè)被命名為“1900”的棄嬰在一艘遠(yuǎn)洋客輪上的傳奇一生。今天學(xué)習(xí)啦小編給大家分享一些電影《海上鋼琴師》中的經(jīng)典臺(tái)詞，歡迎大家欣賞!

　　電影《海上鋼琴師》經(jīng)典臺(tái)詞

　　1、And if that keyboard is infinite, then on that keyboard there is no music you can play.

　　無限大的鍵盤，怎奏得出音樂?

　　2、In all that sprawling city, there was everything except an end. There was no end.

　　連綿不絕的城市，什么都有，除了盡頭，沒有盡頭。

　　3、After all, I don't exist for anyone.

　　反正，世間沒人記得我。

　　4、Land? Land is a ship too big for me. It's a woman too beautiful, it's a voyage too long, a perfume too strong, it's music I don't know how to make.

　　陸地?對(duì)我來說，陸地是艘太大的船，是位太美的美女。是條太長的航程，是瓶太香的香水，是篇無從彈奏得樂章。

　　5、Forgive me, my friend, but I'm not getting off.

　　朋友，原諒我。我不下船了。

　　6、It was all very final on that gangway and I was grant too in my over coat. I cut quite a figure, and I was getting off, guaranteed. That wasn't the problem.

　　當(dāng)年，我踏上跳板，不覺得困難。我穿上大衣，很神氣，自覺一表人才，有決心，有把握，有信心。

　　7、How do you do it down there? How do you choose just one?

　　上了岸，何去何從?

　　8、Take a piano, hmm? The keys begin, the keys end. You know there are 88 of them. Nobody can tell you different. They are not infinite.

　　拿鋼琴來說，鍵盤有始也有終。有88個(gè)鍵，錯(cuò)不了，并不是無限的。

　　9、I like that. That I can live by.

　　我喜歡那樣，我應(yīng)付得來。

　　10、Hey，Max! Imagine the music I could play with two right arms. Hope I can find a piano up there.

　　兩條右臂能彈出什么音樂? 希望天堂有鋼琴。

　　11、It wasn't what I saw that stopped me, Max, it was what I didn't see。 Do you understand that? What I didn't see.

　　我停下來，不是因?yàn)樗?，是因?yàn)樗灰?。你明不明?是因?yàn)榭床灰姷臇|西。

　　12、But never more than fit between prow and stern.

　　但范圍離不開船頭與船尾之間。

　　13、You played put your happiness, but on a piano that was not infinite! I learned to live that way.

　　在有限的鋼琴上，我自得其樂，我過慣那樣的日子。

　　14、I was born on this ship, and the world passed me by.

　　我生于船，長與船，(www.lz13.cn)世界千變?nèi)f化。

　　15、You are sitting on the wrong bench. That's God's piano.

　　不是給凡人奏的，是給上帝奏的。

　　16、But 2000 people at a time, and there were wishes here.

　　這艘船每次只載客兩千，既載人，有載夢(mèng)想。

　　17、You are the exception, Max. You are the only one who knows I'm here. You are a minority, and you'd better get used of it.

　　除了你，Max，只有你知道我在這里，你屬于少數(shù)，你最好習(xí)慣一下。

　　18、You are infinite. And on those keys, the music that you can make is infinite.

　　音樂是無限的。在琴鍵上，奏出無限的音樂。

　　19、The end? Please? Can you please just show me where it ends?

　　盡頭在哪里?可以給我看看盡頭么?

　　20、You get me up on that gangway and you rill out in front of me a keyboard of millions of keys, Millions and billions of keys that never end.

　　走過跳板，前面的鍵盤有無數(shù)的琴鍵。

　　21、All that city you just couldn't see an end to it.

　　城市那么大，看不到盡頭。

　　22、Christ! Did you see the streets? Just the street……there were thousands of them.

　　唉!只是街道，已經(jīng)好幾千條。

　　23、That's the truth, Max, they never end. That keyboard is infinite.

　　事實(shí)如此，無窮無盡，鍵盤無限大。

　　24、What I did not see was where the whole thing came to an end, the end of the world.

　　我看不見城市的盡頭，我需要看見世界盡頭。

　　25、One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. All that world just weighing down on you. You don't even know where it comes to an end.

　　愛一個(gè)女人，住一間屋子，買一塊地，望一個(gè)景，走一條死路。太多選擇，我無所適從，漫無止境，茫茫無際。

　　26、Aren't you ever just scared of breaking apart at the thought of it? The enormity of it.

　　思前想后，你不怕精神崩潰?那樣的日子怎么過?

　　27、I can never get off this ship. I'm blessed I can step off my life.

　　我沒法舍棄這艘船，我寧可舍棄自己的生命。

　　電影《海上鋼琴師》劇情簡(jiǎn)介

　　1900年，一個(gè)被人遺棄在蒸氣船上的孤兒(蒂姆·羅斯飾)被船上一位好心的燒爐工(比爾·努恩飾)收養(yǎng)，取名為“1900”。然而好人不得好報(bào)，燒爐工在一次意外中死亡，只有幾歲大的1900又再度成為了孤兒。過人的天賦使他無師自通成了一名鋼琴大師，但宿命也令他天然地對(duì)紅塵俗世深懷戒意，他從不敢離船上岸去，只因紐約無際的高樓和川流不息的人群令他沒有安全感。從此，1900展開了在海上彈奏鋼琴的旅程，吸引了愈來愈多慕名而來的旅客。而麻煩也接踵而至…

　　電影《海上鋼琴師》影片評(píng)價(jià)

　　《海上鋼琴師》的情節(jié)如同碧海潮生，高潮一浪接著一浪。在狂風(fēng)暴雨中一邊任鋼琴自由滑動(dòng)一邊彈奏，小孩子無師自通的演奏震驚滿船的人，這些只不過是大師的鋪墊罷了。自稱“爵士樂祖師”的杰利上船與1900比賽鋼琴，激動(dòng)人心的程度簡(jiǎn)直可以和最激烈的槍戰(zhàn)相媲美。

　　這是一部蕩氣回腸的詩意旅程電影，那無處不在的鋼琴聲將觀眾帶入1900的心靈深處。影片采用最極端的浪漫主義風(fēng)格，引起兩極反應(yīng)：有人視之為杰作，而西方很多人把它看成“最好看的爛片”。影片的缺憾在于人物刻畫，主角太過神秘，讓人無法洞察他的內(nèi)心世界，因而就很難真正同情他。如果能把心態(tài)調(diào)離憤青階段，該片則有打動(dòng)人心的浪漫魔力。

　　《海上鋼琴師》的精神內(nèi)核無疑是純真與自由：天賦秉異的1900就是這樣的象征，他放蕩不羈、不為世俗所動(dòng)，只因演奏是他畢生所愛，他不必下船只要一直沉浸在音樂中就得到了最純碎的快樂。就像節(jié)目所說：這部影片就是獻(xiàn)給那些始終向往單純、遠(yuǎn)離喧囂的人。純真是他們固有的屬性，不會(huì)因?yàn)闀r(shí)間而改變。